“They have greatly oppressed me from my youth—
let Israel say—
they have greatly oppressed me from my
youth
but they have not gained the victory over me.”
An all-too-common story in the life of imaginative writers
is a rotten childhood. Perhaps they were too contemplative, too monk-like.
Maybe they were marginalized for being puny, bookish. Their parents may have been overbearing,
violent, too often absent from their lives, addicted to drink or drugs. They lacked friends. Possibilities are
endless.
In an effort to compensate, such kids fantasize, create
secret gardens, life in a boxcar, alternative worlds, dungeons and dragons. In
the absence of joy, they create their own interiors, a refuge from oppression.
What they can’t attain in day-to-day life, they make up for
in imagination, and propensity for story grows abundantly. Show me a kid who doesn’t go to the prom, and
I’ll show you a budding artist. That’s
the trajectory of the theory.
Many towering figures in 19th century American
literature lacked fathers. Hawthorne’s died when he was
a kid. Poe was a foster child. A ton of writers were dissolute
drinkers. In my first year of teaching,
a student asked me whether you had to be an alcoholic to be a writer.
But why stop with writers?
The oppressed artist is a cliché—consider VanGogh with his mangled ear
and awful love life. Even when he was rich and famous, Picasso, biographers
claim, was impossible to live with.
An artists’ graveyard is littered with gnarled wreckage.
The “they” which begins Psalm 129 is hugely vague because
there is no clear antecedent. Who were they, anyway? The history of revelation itself would argue,
I’m sure, that the oppressors the psalmist is referring to are those heathen
nations surrounding the people of Israel, starting, I suppose, with the
Pharoah’s Egypt—those enemies that sought, as some still do, to destroy the
Jews.
The psalmist is a cheerleader, and this opening verse of the
triumphant psalm a rallying cry: “let
Israel say,. . .they have not gained the victory over me.” Those oppressors, ever present, even from my
youth, the poet says, have not won
the victory, so there. Say it after me. Shout it out. Triumphant affirmation, a
tribute to a steadfast believer’s soulful strength.
I grew up in a country where tolerance of one’s faith is a
foundation for civility and civics. Unlike millions, even today, I’ve never
felt even a pinch of oppression.
The family in which I was reared was intact and loving. I went to the prom, with a date. My athletic jacket was thick with medals, and
I was chosen by my classmates to give a speech at graduation. I never sought refuge in alternative worlds
and felt no hot breath from heathen nations. As a kid, I swear I was not
oppressed. Maybe I have no business typing these words.
But my cushy childhood does not inhibit my joy at the
fist-raised affirmation that begins Psalm 129. “They have not gained the
victory over me.” Whoever they is or might be, whatever sin or
doubt has found its way into my own sense of reality, such darkness has not
settled over my life—yet. I’ve had it
good, even today, when I’m old and half a cripple.
But what happens if the tables really turn—as they always
do? What happens if, now in my dotage,
darkness begins to muster oppression? Could happen, couldn’t it?
If it does, I must remember the rallying cry of Psalm
129 again: “let Israel say—they have greatly oppressed me from my youth but
they have not gained the victory over me.”
I must.
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