“I will praise you, O Lord, among the nations;
I will sing of you among the peoples.”
Strangely enough, I have but two memories of an early
childhood trip to New York City, and both of them emerge from fear. I had to be less than ten. We visited the United Nations, because I have
some kind of memory of standing in front of that building, but no memories at
all of being inside.
What I’ve not forgotten, as I said, is two images, both
from the street. In one a woman who is apparently mad is shouting and screaming
wildly. The words make no sense, as I
remember; but the scene is distressing, largely because no one seems to
care. People—thousands of them—walk
right past on wider sidewalks than I’d ever seen in my life. Someone should tell her not to scream, I must
have thought. But no one did, and she kept it up. Finally, we were out of
earshot.
The other memory is also from the street—a man in a
sandwich board saying “Repent” or something.
I was just a kid, but I remember being embarrassed, almost the same
feeling I had when that mad woman wouldn’t stop screaming. This guy was
preaching, and I knew it; but I found him and his hectoring repulsive and more
than a little embarrassing. I didn’t
want him drawing such distressed attention to a faith I knew better by way of the
Christmas eve programs or morning prayers over Sugar Pops.
Those two memories are filed away in a
scrapbook--memories of a trip to the big city.
Gratitude is the beginning of the Christian life—that’s
what I believe; and gratitude makes us sing. No question. Gratitude makes David
pipe the dawn in this psalm, or believe he can—or at least make the outrageous
claims he does. Our thanks for the salvation that has come so shockingly into
our lives sends us cartwheeling into the world.
“I will sing of you among the peoples,” David shouts, ecstatic, and some
guy in New York in the early fifties adorns himself in a sandwich board, stands
out on the street where he scares the children and the horses.
Our pastor often talks about an adult male in a previous
congregation who wasn’t blessed with full cognitive abilities (I don’t know how
to say it). This man had a special love
for a certain organist’s playing.
Whenever she’d play, he’d dance in the aisles.
Maybe we all should.
Maybe we all should pull on sandwich boards or paint “Jesus Loves me” across
the side of our houses. There’s a man just down the block that loves to sit
outside on Sunday afternoons, his stereo cranked, the sounds “The Old Rugged
Cross” being sung by a men’s quartet with bluegrass roots taking over the
entire neighborhood.
I know David’s impulse here. I know what’s in him. He’s
almost gone in his deep affection for the God who has saved him from death so
often, and here, in the cave, has done it again. The Lord almighty has delivered
him, and it makes him sing.
But how? And what
tune? And how loud? Snare drums or Native flutes? Bold type or fancy font? Stories or poems? Classical or folk rock? Johnny Cash or Mahalia Jackson? Flannery O’Conner or Pat Robertson?
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