“Relent, O LORD!
How long will it be?
Have
compassion on your servants.” Psalm 90:13
For too
many years—and not always by choice—I’ve held on to a novel that wouldn’t sell.
It’s gone by a couple of titles, but the verdict, whenever it’s been submitted,
has always been the same: “not quite, got something else?”
I don’t
obsess about it. I’ve got plenty other projects to keep me awake at night. But last
week I woke up hearing a voice in my head, so I trotted downstairs, pulled the opening
pages up on the screen, and started telling the story with this new voice and a
slightly adjusted motivation.
Will it
go? I don’t know. If it does, will I get a New
York Times review? I doubt it. The narrator hasn’t changed, but suddenly I know more
about him. I know where he is and why he’s telling the story the way he is
telling it. And that helps. Same thing happened, years ago, with another novel,
and that one did well, years after a first draft. So, here goes and here’s
hoping. Sometimes
what might seem a fragment of additional truth can fill out a voice, make that
voice become a human being.
And so it
is, I think, with this verse from Psalm 90. The very heart of the poem is “how
long?” If you want to understand Psalm 90, its centuries’-old soulful appeal, then
understand this about Moses, who’s singing: he has fallen deeply into the black
hole of God’s absence. “Relent, O LORD! How long will it
be? Have compassion on your servants.” He is estranged, as all of us are at one
time or another. He’s in the mode of Mother Teresa, who spent much of her life
feeling somehow estranged from God’s own presence. God is gone.
And what
happens to us when we’ve arrived in that kind of black hole? What happens when
we understand our days are, in fact, as numbered, that we won’t escape the
sentence of death? Our values alter. Our vision seems skewed.
Every
single one of the dozen verses that precede this line proclaim God’s omnipotence,
testify to his eternal strength, his timeless care; but Moses isn’t
sweet-talking. He’s not just a politician currying favor. He’s throwing himself
before a God who he seemingly can’t help believing isn’t there, who therefore seems
to have turned his back.
What this
line explains is the doleful emotional color of all of the whole psalm. Moses is sure he
has been rejected, forgotten; and the desperation which God’s absence creates prompts
the self-less prayer of the first dozen verses. “Without you we are nothing,
Lord—please return to our lives.” That’s the story.
That may
well be why this old Psalm reads so rewardingly at a funeral. It isn’t just the
references to sixty or seventy years; it’s more than that. With death’s
imminence setting beside us—the coffin itself—grief discolors every joy. Christ
may well have conquered death when he arose on Easter, but death’s sting is
never insignificant. We feel left behind, the world more dismal.
The power
of this old psalm is created by the despair Moses feels in thinking himself and
his people abandoned, as we do when we lose someone we love. In the entire
poem, he seems to be telling God what God must do, not because he fears God
won’t, but because he can’t hold back his own tongue. That’s how much he hurts.
“How
long?” he says in verse 13. “Have compassion on your servants.”
He’s
begging, imploring, demanding. His back is to the wall.
Where there’s probably a casket. “You
are our everything, Lord—please come back? Where on earth are you?”
He awaits some kind of new vision, the return of his loving Creator's hand.
No comments:
Post a Comment