“You have set our iniquities before you,
our secret sins in the light of
your presence.”
Psalm 90:8
I don’t know why, but I’ve always
thought of Edgar Allen Poe as “junior high-ish.” Even though I taught American
literature for thirty years, I never knew what to do with him. He fits on a standard Am Lit curriculum like an elegant barnacle. Is “The Fall of the House of Usher” a
study in unremitting madness, or, simply, as some critics have often claimed,
“an elaborate way to say ‘boo’”? I don’t know.
“The Tell-tale Heart” may well be
his most famous yarn. A delusional
man-servant murders his boss and covers the crime perfectly. Yet, he’s so wretchedly
haunted by what he’s done that he confesses, as a means by which to end the
horrifying echo of the old man’s heart in his own demented mind.
Remove the 17th century
details from Hawthorne’s Scarlet Letter,
and you’ve got the same story. How about this?--set it in 19th
century Russia, and title it Crime and
Punishment. Tell the story in apartheid South Africa , and you have To Late the Phalarope. I’m sure I’m
missing a dozen or more cousins. Same story—right? Maybe. Maybe not.
Years ago, I judged a junior high
forensics contest in which kids gave memorized readings; one of them did “The
Tell-Tale Heart.” The performer did well
but scared no one. Mostly, he got giggles. Nobody used Hawthorne or Dostoevsky
or Alan Paton that day; but if someone had, I’m betting no one would have
giggled. That’s why I can’t help but think there is something somewhat “junior
high” about Edgar Allen Poe.
Just as there is something
somewhat junior high about a verse like this one—at least, in the way an idea
like this has been manipulated by believers throughout history. “Beware—your secret
sins will find you out.” Or in my own faith tradition a half century ago: “What
if Jesus returns and find you in the movie theater?” Shudder.
Fear has always been an effective,
if temporary, motivator. Somewhere I read that adolescent boys have fleshy sexual
fancies about dozen times per hour, on average. I don’t doubt it. I was such a
character once myself. Tell a junior high Christian boy that Jesus knows his
secret sins, and you’ll get his attention.
But some of us don’t have as much of that kind of steamy
seamy-ness, nor much of a criminal record—and I’m not bragging. My
testimony wouldn’t inspire anyone around a campfire, certainly not a TV
producer. Any memoir I’d write would be woefully short on narrative drive. I’m
nearing seventy, and the burden of my sins would be filed under “Spirit,” not
“Flesh.” From Hollywood’s perspective, my story is not going to spin turnstiles.
And yet this verse holds some fear
for me—especially if I think about it in a, well, fleshy way. To be buck naked
before God almighty gives me the bejeebees. To imagine him seeing me, inside and out, 24/7,
claws at my guilt. I’m not haunted by the heartbeat of my latest, sorry victim
like the terrified murderer in “Telltale Heart,” but when I imagine myself
splayed before the God of love, I can feel the jagged edges of my very own pride.
After all, I know very well what I want.
I know where number one ranks in my daily to-do list. What’s worse, when I
think about it, as I am doing now, I remember all that arrogance is hugely set
already in his perfect presence. Do I believe he doesn’t know?
And that scares me. Which it
should. And I’m long, long past junior high.
Historically, the sins of the
spirit have always been considered deeper and more vile than sins of the flesh,
probably because they’re not front-page
material. Even I don’t bother to read
that kind of story, maybe because it’s my own.
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