Charles Bodmer--the tiny monument on the grassy hill marks Blackbird's grave |
They're not an odd couple really. They’re much alike, greatly influential once upon a time, and monumentally heralded yet today. It's hard to imagine any two historic Native leaders better known to those of us who live here than the Omaha headman Blackbird--a casino is named in his honor!--and War Eagle, the Yankton/Santee who to this day proffers a peace pipe from a hill above the Missouri.
This
oddly matched pair share a history of cooperation with the white colonizers
whose sheer numbers altered Native life forever. Both worked with
the fur traders who ran a lucrative business on the rivers back then.
Everybody
wanted furs, in great part because European gentlemen wouldn't step outside without beaver
hats. French Canadians were here, and the Spanish--they built a fort near Homer.
Throw in upstart Americans too in numbers eventually beyond tallying, Yankees
who thought they owned the place once Lewis and Clark drew them a map.
Honestly, it's hard to imagine our river hub as the United Nations, but in 1800 it was
greatly multi-cultural--and that's not counting the Santee, Pawnee, the Omaha or
the Dakota, Nakota, and Lakota, all of them immensely mobile, given to hunt
buffalo with the entire family in tow, hundreds of miles from home. If you threw up a cabin and parked at the mouth of the Floyd back then, you had no idea who
might show up--all kinds of people speaking in tongues.
For
better or worse, both War Eagle and Blackbird decided early on that their
skills and experience here on the rivers could slip some money and strength and
power in the bank.
War Eagle Monument |
What’s
more, two of his daughters married Theophile Bruguier, the three of them becoming the
first permanent residents of what we now call Sioux City.
Blackbird,
an Omaha headman, learned to play along with the Yankees, just as War Eagle
had. By the time smallpox took him, he was among the richest men up and down
the river, a kind of Native Don Corleone, a man who sought, gained, and then
controlled what went into whose deep pockets--and what didn't.
Neither of them feared the white man. Blackbird grabbed what he could when he could and had a
thing about tribal rivals for his power—men who tended, strangely enough, to vanish. On the other hand, Blackbird's own wily character found ways to let
whites know that, unlike the Omaha, the Yankees were the guests here. He cooperated
with the colonizers but no farther than the reach of his long arm.
When
smallpox took him and so many members of his tribe (estimates vary, but losses
were in the hundreds) the ceremonies surrounding his death became legendary. The story goes that he wanted to be astride his horse, looking over the river. Four years
later, the mound above his grave was still of such prominence that Lewis and
Clark saw it and pulled the pirogues over to investigate.
If you'd like to know where there's an interpretive shelter marking the spot,
just off Highway 75. Can't miss it. George Catlin, on an 1830s sojourn up the
river, even did a painting. Way up there on the grassy hills, there's something
high and mighty, enough to make a handful of the Corps get off the river to investigate.
Big
names: War Eagle and Blackbird. Celebrated, both of them.
Heroes? Good question. The story of Blackbird's burial, some say, was created
by white folks. The first time my grandson saw the War Eagle monument, he
thought that peace pipe was an AK-47.
The most we can say, I suppose, is that sometimes our heroes are shaped by our politics. Even today, that seems to be the truth about them--and the truth about us: we make them what we wish them to be.
No comments:
Post a Comment