No one does sweet corn like Garrison Keilor

(We had our first sweet corn of the season last night, and it was wonderful!)

When I come to the spring, the time of romance,
The season of amour
And I dig in the dirt and I set out the plants
And mix in the horse manure.
We thank you, dear Lord of power and might,
Who didst from the dust create us
Grant that your children find earthly delight
With a crop of sweet corn and tomatoes.

O the homegrown tomatoes the Lord sent down
So we know what paradise means
No grief, no tears, just tomatoes, my dears,
And sweet corn and string beans.

Oh we thank you dear Lord for this good good life
And thanks for the day we were born
And the gifts you have given, especially these heavenly
String beans, tomatoes and corn.

Sweet corn: the best thing in life. I grew up in a house 

about a hundred feet from a cornfield, 

and every evening we’d put the water on to boil, 

then pick the corn and husk it as we walked rapidly toward the house 

and chuck it in and dish up the chicken 

and say a prayer and out came the corn, 

on went the butter and salt, eight minutes flat from stalk to mouth, 

and when you ate sweet corn, life had nothing better to offer. 

You’d been to the top. That’s how it’ll be in heaven, I’m sure.

Oh we thank you dear Lord for this good good life
And thanks for the day we were born
And the gifts you have given, especially these heavenly
String beans, tomatoes and corn.

https://www.youtube.com/watch?v=AToiX451bVo

The new, old Little House -- ii

Balancing the sometimes contrary demands of the true story itself is not an easy task for a writer. Laura Ingalls Wilder was fashioning a classic for kids when she began (she was 65 years old!) to write books using her own experience and her family's pioneer saga on the way west. 

What the TV series didn't really examine was the plain fact that Charles Wilder was a squatter, someone who knew the truth but homesteaded on land he, as a white man, should have acknowledged to be Osage land. In today's language, we might say the Wilder family were "undocumented"; they'd moved on to land they weren't entitled to--they were illegals because all around them at the time were patches of land that had been the province of a variety of Native nations. They should not have been there; ICE would have moved them out.

In 1870, the Drum Creek Treaty was signed, promising the Osage nation "$1.50 an acre" for all Osage land and mandating that all would-be homesteaders (like the Wilders) had to leave before the same land would be opened up for homesteading (although the land would be for sale, not free). The new Netflix series ends with the Wilder family back in their covered wagon, bound for Minnesota, which is the historically accurate move. They're on their way to Walnut Grove, where, this Saturday, a local group will stage, outdoors, their final 2026 production of the Ingalls family story, the Wilder Pageant. 

If you're interested, you might want to look at a website that tells the story of the story and determine yourself how much of the Netflix production is accurate to history and how much is pure storytelling. 

Either way, this new version of the story is worth watching (take if from a story-teller).

The new old Little House

It's difficult to overstate just exactly how popular NBC's original Little House on the Prairie show was. Beginning in 1974, Little House ran for nine seasons at a level of TV glory that few series could even dream of. It won a list of awards as long as lodge pole, and made Michael Landon (and a handful of others) the kind of Hollywood stardom most Americans would recognize almost anywhere on the street.

 Just an hour or two north of us, Minnesota's Little House monuments features a river bank where, or so the docents claim, the Ingalls once inhabited a hole in the ground on their way west. It's not something you forget quickly, in part because seeing the Ingalls family--the TV version--crouched in a river bank hut doesn't fit exactly with the family that became the most celebrated TV family in history. 

That sweet and sentimental series captured more awards than many other really popular productions, and earned a viewership that was surprisingly universal--adults from 35-64 made up more than sixty percent of its viewing audience as late as 2024, when the original series was streamed on Peacock. The show's firm place in the American imagination was enough too make Netflix consider a reboot.

That reboot is running right now and doing very, very well. There are, of course, some major differences between the original series and the newly refashioned Little House.  One of the central conflicts of the family in the new series is their trespassing. By the time the original Ingalls family reached Kansas, they'd become squatters, living on property that, by law, belonged to the Osage tribe. It's hard to lift the kind of allegiance the whole family had in the original series when you know that they and hundreds of other white, American pioneers, were deliberately living on land that belonged to this country's original inhabitants. 

Then, too, historians claim that Pa Ingalls wasn't a whole lot like the Michael Landon version. They suggest that the records suggest that he wasn't the ace Pa who kept moving around the Great Plains, that he may not have been the nice guy the book and the series make him out to be. 

It's gutsy to make a reboot. Netflix had to know that. Any new version of the tales can't avoid the historic truth. Lets be clear here--the new Pa Ingalls is just as wonderful, just as loving, just as driven by justice (and just as handsome) as Michael Landon, but the central conflict of the new series is the fact that the Ingalls family lives on a swath of Osage tribal land, and the Osage aren't happy about it.

There are, as you can imagine, a bundle of other distinct changes, and a good deal less of the sentimentalizing so characteristic of the original series. The fact is, homesteading was probably never so sweet as it was in the old Little House. Some sweetsie stuff is unavoidable, but other major themes are more universalized--the conflicts between the Ingalls sisters, for instance, is newly adopted, and racism is more plainly evident.

No matter. I like it. It's almost impossible to think that this newly fashioned series could ever touch the massive popularity of the original, but that doesn't mean the newly minted version isn't worth your time or mine. 

Try it.

 

“Blessed is he. . .whose sins are covered”

 After far too much traveling in the last couple of years, I have come to the conclusion that motel rooms are not designed for people my age; they are decorated with entirely too many mirrors.  Wherever you look, full length panels offer views of your own sad and sagging mortality you hadn’t asked to see.

 One of the reasons English TV comedies are more fun than American sitcoms is that English audiences, it seems, don’t demand physical perfection.  English comedies regularly feature unhandsome people; but American television offers a persistent diet of perfect shapes, both male and female, so many, in fact, that one begins to believe that such pulchritude is the norm.  Given all that gorgeous flesh, suddenly seeing yourself bare naked on a six-foot wall is an epiphany of horrific proportions.  A few weeks ago I came home and told my wife I would never eat again.

 I suppose I shouldn’t be equating sin with body fat. Someone told me recently of a new study which maintains that John Calvin’s despairing views of the sins of the flesh was attributable, in part, to the revulsion he felt about the debilitating hemorrhoids he fought through most of his adult life. If that’s true, it’s something I wish I didn’t know.

But there is a link here in this verse from Psalm 32, at least in my mind.  The exuberance of the line bursts from the realization that something repulsive is wholly taken care of, covered up, covered over, out of sight and, better yet, out of mind, even out of soul.  That something isn’t nakedness, but it’s close.

Sin isn’t so much an act as it is a condition, like dandruff or flat feet. Sin is something we never stop fighting. There’s no truth, says the Apostle Paul, in those who claim they have none. 

But the blissful joy of the opening lines of Psalm 32—or so it seems to me—is not the blessed realization that our sinful condition is gone, but instead our blessed assurance that God’s forgiveness has it covered—as in, “not to worry, fella, I got you covered.” Our greed, our neglect, our thievery, our hate, our drunkenness, our adultery, our pathetic pride, our green-eyed jealousy, even our pride—sin in all its pathetic naked horror, even the ones we can’t forget, the one that haunts us, makes us sick unto death, that sin is covered because He’s got our back. 

David’s sins were legendary in the unsavory mess created when he couldn’t keep his royal hands off someone else’s wife, and then “covering” that sin by the sleazy murder of her beloved. 

All of that is gone, David himself testifies here in Psalm 32. It’s history. All that’s left is grace.

That’s the story here.  Praise the Lord.

Liberation Sunday

I've been putting together a collection of little stories originally published in a magazine titled Reformed Worship. Way back when the magazine was first published, the editors asked me to contribute stories avout how we worship, stories of relevance to those who look after liturgy. I did so for a long time. 

In an old file folder, I stumbled over this one. Don't know  if it was ever published, but a couple of decades after I wrote it, I found it quite moving, a very memorable communion Sunday.

~   *   ~   *   ~

Thursday, April 18, 1945

The end is in sight!  Saturday evening Jan and I came from Kloosters and were just at the train crossing when four British Spitfires dove from the cloud cover to attack a passing train.  It was a hot moment, but once we were hiding in the manholes on the side of the little country road, we could see the air attack beautifully.

Today I should have gone to Amersfort, but there was so much fighting outside of Nijkerk.  People came and warned me that the Canadians were already at the river.  A German told me that I better return from where I came from, but now that it seems so close I cannot believe it may be true.

When you return, Adriaan, there will be so much to say, so much to tell you.  How strong our children are, too, in all of this.

When I arrived at Driedorp, everywhere there were Germans and cars and motorbikes, and on all the farms in that area were Germans.

I decided it would be safer to go back home, but when I passed them again they were sneaking off with their guns cocked, moving in the direction of the river.  And the Tommies were busy with their Spitfires in the air!!

After one p.m., everybody has to stay inside.  In the woods last night there was a fight between German and Canadian reconnaissance patrols.  Four Germans and three Canadians killed.

Heavy fighting around Apeldoorn.  Zwolle, Leeuwarden Meppel, and practically the whole of Gronigen and Friesland are liberated.

In Voorthuizen a landing of paratroops, approx. 1000 this morning.  The Huns are nervous wrecks.

 

Friday, April 19, 1945

Did the housework very fast, and went to Kloosters’.  Father Klooster is killed by artillery shell on the farm where he was in hiding since the Germans started looking for him.  Why, Lord, with the end so near?  Such a fine man, so much good during the war. All those allied pilots hidden and moved into the woods.  Such good work.  Now killed when the Canadians are so close at hand.

Mother Klooster is strong.  The six children are heartbroken, sit in silence at home. Many people visit, even though it is dangerous to be out and the fighting never seems really to stop.  Should I stay with Mother Klooster and help with children?

Everywhere, still, there are Germans.  I have responsibility at home.  Mother Klooster seems very strong.  Oh, but seems.

Planes in the air and all the shooting is very heavy.  Went by inside roads back home but shooting from Spitfires on everything that moves.

Farms all over full of Germans.  The school playground is green with their uniforms.

On my way home passed Vander Kamp’s farm and shells rained from two directions.  Cows lie dead all around, hooves up.  Such destruction.

Germans came to our farm after I returned.  “We have to go on,” they said, “but in two weeks it will be all over anyway.”  They were sick of it.  Wanted to see our cellar, but it was too small they said.  Thank goodness.  With our house so full of people.  And the Jews, too.

When they were gone, we put mattresses down there. Whoever was tired could sleep.  All the time the screeching noises of shells overhead and then waiting for the explosion.  Where will it come down?

 

Saturday, April 20, 1945

God up early and went outside.  Quiet for some time.  People killed and wounded.  The roads are full of people from Nijkerk, heading out to the poulders, to the meadows, crawling into shacks and henhouses.

Adriaan, where are you?  It seems too much for me to go on with everything, even though now the end is so near.  Adriaan, we will be together again soon.

The rest of the day passed slowly by, quietly.  People say that ‘t Oever and Putten also were taken, meaning “stay close to home.”  Flying still going on.  Now and then a burst of shellfire.  Fires in the distance.  A haystack down the road at Bethanien.

In the evening, with approximately 20 people, stayed in the cellar, but nothing happened so I went up to our bed.  Adriaan will come again soon.  Lord, please, bring him home.

 

Sunday, April 21, 1945

Everything is again QUIET.  All the barbed wire blockades are put in place and Jan had to go all the way around Watergoor to come home because the Allies are two kilometers away.  On the Holkerweg, every 50 meters there is artillery.  Not much flying now, and only little shelling.  This afternoon quite close by some machine gunning and even some regular rifle shots.

I think they will be here tomorrow!

The Germans seem almost to be gone.  Only the shelling continues.  It is still not safe to be out.

Piet van Meerfeld comes in the morning.  I see him coming on his bike up the lane.  He has bread in his rooksack.  He has flour, now, from the air drops.

“Mevrouw Hartog,” he says, “I have for the first time good flour, and today is communion Sunday.”  And he gives me a half loaf because he knows we have neighbors here, we have onderdykkers.  But I know he means this loaf is communion bread.

“Take and eat,” he says, and he smiles.  Then leaves for the next farm from our church.  Communion Sunday.

We have in our house two men in hiding, a family from Nijkerk--the Harts, running away from the fighting--Uncle Ben and his wife, Hannah, a man named Schneider--an American pilot--and our Anne, Henk, and Jan.

We have half a loaf of communion bread.  Schneider says he is Catholic.  The onderdykkers are Reformed.  Uncle Ben and his wife are Jewish.  The Harts are with us in our church, and I have our family, our own children.

Van Meerfeld pedaled through the artillery because he knew it was communion Sunday and he had communion bread.  And he knows it is liberation.  He wears a smile like this work he is doing is holy work.

So we eat the bread, all of us, this Sunday morning.  A communion like none other I remember.  Eat and celebrate, eat and profess. I tell myself, “take, eat, remember, and believe.”   Even the children have a bite.  It is a sacrament they will not forget, ever--I tell them later, when we are alone.  This is the children’s first communion.

Van Meerfeld is right.  He has now good flour.  It is good bread he brings.

Wageningen and Ede are also liberated and how long before finally Holland is free!

Mother Klooster is alone this Sunday.  There will be no funeral until all of this is over.  Tomorrow will come all the celebrations, and yet in all of it she must have the funeral and she will be alone with her six children.

Sometimes, I think I cannot go on with this, even though the Canadians are here--if not yet today, then tomorrow for sure.  Sometimes, even the joy is hard.

Adriaan, are you too liberated?  When I heard about Buchenwald, I turned ice cold, but Psalm 91 is for us: “Because he loves me, says the Lord, I will rescue him.  I will protect him for he acknowledges my name.  A thousand may fall at your side, ten thousand at your right hand, but it will not come near you.”

O darling, the end is coming.  How happy we will be.  I have so much to tell you.

 

--Adapted from the personal stories of Diet Eman and Michael Van Wijk.

The Outback

 

A shot like this is all I need to explain our move to the country, post retirement. I didn't have to get into the pickup to gather this kind of bounty; I had only to step out of our back door to fill up a memory card with this show of "dawn's early light."

On mornings like this one--mid July, 2012--I couldn't help but wonder how it was we'd come to live so close to these big prairie skies and really never seen them.

With our move to the country 14 years ago, we became bit players in the drama staged daily in the immensity of our abundant open spaces. 

On more than occasional Saturday mornings, I'd been wandering around Siouxland for a decade already when we moved north of Alton, so skies like this--no matter how gorgeous--weren't exactly new. But they'd never been so neighborly, so showy, so close. On this particular July morning, I had only to walk a couple hundred feet from our back door--and there it was.

From under the canopy of a monster cottonwood that morning, I was visited by an ancient neighbor, gifted with the blessing of dawn. 

Siouxland had never been so much our backyard.

Hamnet--don't miss it

 

Way back when--in the years I was a graduate student--I took a class titled simply "Shakespeare" from a middle-aged prof who I thought, as did others, to be an expert on the Bard. He was, for certain, an apologist, very much in love with Will Shakespeare with an intensity that made every class period bountifully dramatic in and of itself.

What made Prof. Doebler particularly effective was his knowledge of the era--the Elizabethan and Jacobean eras of the English Renaissance--a culturally rich time in English history when the theaters were full and not just the province of society's elite. I remember him going on and on about how ordinary people, including the lower class, were entertained by staged productions, Macbeth being seen by loads of people right off the street. 

When he'd talk about the Globe Theater, Shakespeare's own stage sounded like something akin to a World Cup soccer stadium offering a game between, say, Spain and Brazil, a madhouse. It wasn't difficult to get a reading on how the show was going over. The teeming audience made sure you knew.

I thought of Prof Doebler during the last scene of Hamnet, the very popular movie now available on Netflix. You have to see it. It's riveting, beautifully shot and wonderfully assembled with just enough mystery to keep you attuned. Honestly, I can't say enough about it. It's just must-see.

That last scene lingers for a long, long time. Shakespeare's estranged wife has come to London for seemingly the first time and becomes one of the common people who are given the floor of the Globe to stand and watch the production, which happens to be a new play by her husband, a brand-new show titled Hamlet. 

What director Chloé Zhao does in that long scene is bring her audience ring brand new meaning from the most treasured soliloquy in all of Shakespeare and tie it into a story of loss and sadness in a way that gives all new meaning to "to be or not to be." How she orchestrates that long, final scene is just plain brilliant, unforgettable. 

Hamnet is, first of all, a story about unfathomable grief--anytime, anyplace. It's about losing a child, period.  It shakes the disbelief out of you by putting Agnes (Jesse Buckley) and her overwhelming sadness on the screen so succinctly that, even if you'd rather not experience the suffering Agnes does, you're powerless to turn away. 

But Hamnet is also about art, about what art can do for us, for all of us. "The play's the thing" in a fashion I'd never seen before, or experienced. What Zhao does in this movie is bewitchery, beautiful bewitchery; she determinedly rings brand new meaning--and redemptive meaning--out of a few words the whole world knows. Something deep as real human anguish gains a step toward healing when Agnes, amidst society's rabble, hears words her husband's most famous utterance convey to all right there in the madhouse theater.   

Hamnet streams right now on Netflix. It's marvelous, plain marvelous. Prof. Doebler would love it, I'm sure, as do his old students. 

Me and guns and Joni Ernst

 

One of the most read posts in the long history of Stuff is this one--2700 readers, eight years old.

I once shot a goose from the back of a motor scooter. Seriously, I did. I wasn't trying to show off, never guessed I'd hit it. We were riding along the Lake Michigan shoreline, putt-puttin' on the wet sand, late October probably, when a lone goose came by. My double-barrel, 16-gauge was loaded, so I aimed--sort of--let loose, and down came the goose. 

I'm not making this up.

We hunted crows with a phonograph. This old friend of mine had a record with nothing on it but a gaggle of crows gaggling. All that racket from the turntable would haul in crows from hither and yon, we thought, and we'd shoot 'em. That was the plan. Didn't happen, but we had fun. 

I hunted pheasants and deer and once upon a time got woefully lost in a Kettle Moraine forest hunting ruffed grouse I never once laid eyes on.

A day or two after JFK was killed in Dallas, a friend and I walked in a woods just outside of town, lugging our shotguns, supposedly hunting rabbits. Didn't come home with a bunny, but the two of us, not yet 16, had a memorable conversation about state of the union, as did the whole country.

In my Wisconsin childhood, I spent more time with guns than I did eating cheese. I learned to love the lakeshore woods by following an neighbor who walked as carefully through those pines and hardwoods as some Kickapoo might have a hundred years before. He taught me to love trilliums and buttercups and jack-in-the-pulpits. I watched him shoot a possum that stumbled into his trap, the first time I'd ever seen an animal die.

I've got my own treasured past with guns. I understand the attachment. I do.

On Wednesday night, a commentator on Fox News told the host that when he was a boy, he had a .22; but he never, ever entertained thoughts of shooting anyone. He was as dismayed as the rest of us, as perplexed about a problem that worsens with every passing month--18 school shootings already this year, eight inside the walls. In Florida, thousands are mourning 17 students and teachers who are dead.

I know what that guy was talking about. I shot a goose from the back of a Cushman motor scooter, but it never entered my mind to turn that 16-gauge on anyone else. Never. 

But then, I never carried an AR-15 either. Couldn't have. Wouldn't have thought of it. 

If the President can blame Democrats for the deaths of people killed by undocumented immigrants, shouldn't he also tag Second Amendment Republicans for the deaths of seventeen people this week in Parkland, Florida?

And shouldn't Joni Ernst, the hog farmer from Iowa, return the three million dollars+ her campaign blissfully received from the NRA? Shouldn't John McCain give back the seven million? Shouldn't the President himself fork over the $21,000,000 he got from a group who idiotically argue that Nicolas Cruz, a broken, parent-less, misfit 19-year-old, should have the perfect right to own a combat weapon as much like my 16-gauge as that Cushman scooter was to a Sherman tank?

What is wrong with us?

_________________________

For the record, On February 14, 2018, a mass shooting occurred when 19-year-old Nikolas Cruz opened fire on students and staff at Marjory Stoneman Douglas High School in Parkland, Florida, killing 17 people. This post is dated February 18, 2018.  

Sunday Morning Meds--Transgressions (Psalm 32)

“Blessed is he whose transgressions are forgiven. . .”

 Alice Munro’s Runaway, includes a story titled “Trespasses,” a word only slightly less archaic, perhaps, than “transgressions.”  In typical Munro-vian fashion, she weaves together several plot lines and a gallery of fully human characters who move relentlessly toward an end that is as foreordained as any ending she’s ever written.  In fact, the story begins with a tableau—four unidentified people performing some unspecified ritual late at night, on a river bank—a scene which is also the story’s own dramatic climax.  In the story’s first page and a half, Munro shows us where we’re going; then she spends the next half hour of reading time explaining how we got there.

Great stories defy summary, so I’m on dangerous ground, but I’ll try anyway.  Lauren, an eleven or twelve year-old “only child,” meets Kate, who works at the restaurant where kids her age stop after school.  When Kate shows Lauren a ton of attention, singling her out from her friends, readers can’t help becoming fearful.  Slowly, the truth emerges:  Kate has spent some significant time finding Lauren, a child she believes to be her own, a child she once gave up for adoption. 

 But Lauren—still very much a child—knows a story Kate doesn’t because once upon a time she stumbled on a vial her father quietly explained held the ashes of her sister, a baby who was killed just before Lauren was born.  He warns her, however, never to bring up the story in front of her mother, who cannot bear any reminder of the accident which took the baby’s life.  That baby’s name was Lauren.

When Kate threatens to open up the whole story, something must be done.  Soon, the story of the accident emerges, a story which began in a fight about abortion because Lauren’s father wasn’t interested in another child.  Lauren’s mother took off in the car, an accident ensued, and the baby—the adopted child Kate had given up—was killed because she wasn’t fastened into the seat.

The story is rife with pain—her father’s, for not wanting Lauren; her mother’s, for her inattention; and Kate’s, for once, long ago, giving her child away. 

 So one night, in an attempt to find what people call today “closure,” the four major characters of “Trespasses” head out to the spot of the accident, repeat some lines from the Lord’s Prayer, and leave behind the baby’s remains.

 That’s not the end of the story, however.  In some ways, the denouement is even more horrifying because Lauren, the only child, is left carrying the greatest burden of all, the child of a marriage that has been bleeding grief ever since she was born.  Her parents are distanced, from each other and from her.  The only adult who’d ever shown her any love, Kate, now leaves, having rejected Lauren once she discovered the child wasn’t hers.

Munro doesn’t trumpet closure for the adults of this story; we really don’t know whether or not they’ll ever find the peace they’ve never felt.  What we know, however, is that this second Lauren will wear forever the livery of her parents’ trespasses. 

 It’s a story that reminds me of the great Old Testament curse of sin, that it will live for generations—“punishing the children for the sins of the fathers to the third and fourth generation.”

 The Blessedness with which Psalm 32 begins is created by that most marvelous of nouns—forgiveness.  But forgiveness really can’t be appreciated with anything less than a full-bodied understanding of sin, our sin.  The miracle of our forgiveness works only when our sin is wholly acknowledged.

 The miracle of forgiveness—and it is a miracle—is experienced only when we know our sin.

Which is to say, those who know real forgiveness once knew, for real, their sin.

". . .and for Governor. . ."

 

It's not easy to pinpoint the specific feature that does it, but there's no dispute that something in Rob Sand's very countenance creates the impression that he should be running for student council--not yet, at least, for Iowa governor. 

Maybe it's the slightly jug-ish ears or the long neck. His clean-shaven face makes you wonder whether or not he could grow a beard at all. His clear blue eyes convey an innocence that suggests boyhood too. The fact that there ain't a bit of silver in the mop of hair that flops, kid-like, over his forehead makes you wonder how it is that a kid like the guy up front could be serious about running for Gov. 

Whatever combo of factors create it, his kid-dish looks are remarkable to just about everyone in the room, so remarkable, in fact, that he uses his shockingly youthful appearance, uses it himself when his campaign speech does a little winsome self-abasement. "How can someone with this face be a rotten politician?" He didn't say it exactly that way last night at a campaign stop in Sioux Center, but he gets a laugh when he says something similar.

Rob Sand is an interesting guy, a resident and native of the northeast corner of the state, a Luther College grad, a Dem who loves to hunt and fish (and is unafraid of saying it). He's the only Democrat to hold elective office in the state and has been, or so I'm told, a fierce critic of politicians who have a penchant for spending the public's money.

At times, he seems to want to project his innocence. He held forth last night, took questions from an audience that may have been entirely Sioux County residents, but wasn't all Dems, and throughout the evening spread lots of good cheer without being silly or childish. He accounted himself well and likely secured at least a few more votes from a corner of the state where the Democratic party regulars, people say, used to meet in a phone booth. 

Amazingly, his stump speech never once mentioned the word "Trump," despite the fact that he could have held our President over an open fire.  He never used the word "president" either, not because he has sympathy for our commander-in-chief, but because the heart of his appeal is his assault on a two-party politics that makes Iowa neighbors into enemies. He says if he gets elected, he'll work on making Thanksgiving a joy again (people chuckle--they know what he means!)

He was impressive, very impressive. That he can take Sioux County, however, is a real stretch, about as likely as a July blizzard. What works against him here, of course, is not his almost shocking youthfulness or his take on any of the most pressing political issues, but a long and deep conviction in lots of Sioux County hearts that voting Democratic is abomination, a sin, and no matter what Rob Sand says about the horrors of the two-party system, he's a Dem.

Last night in the Sioux Center library, I thought he was terrific.

When I can't seem to learn

I don't know exactly what the little machine looked like. What I do remember is that its sole purpose in your life or mine was to facilitate this new thing that tons of people had begun to use--e-mail, or electronic mail. That was its sole purpose. It was fashioned to resemble a work desk. The idea was that it would sit on an ordinary desk without getting in the way of other work. All it was meant to do was make the process of emailing easier than it was when it was only one function of a desktop computer. 

We're talking two decades ago here, I'm thinking, although I won't swear by the numbers. What I remember best is that it seemed perfect for my dad, who'd spent most all of his working years in offices. He knew his way around numbers and letters, but this whole computer-thing was sweeping its way into his life without being formally introduced.

I bought the little machine--it wasn't terribly expensive. I figured on a trip home I'd introduce it into the spare bedroom we'd sleep in and he used as an office when no one was using the spare bed. That was the purpose of the cute little email-er--make the processes of the new digital world a little less intimidating.

So the two of us went at it, sitting there at his desk. "Watch the words you type run across the screen here, Dad," I told him. His son was no expert, but this cute little machine was a great little foray into the tech world.

"Now hit 'Return,'" I said, maybe two dozen times. I don't think he was quite 80 years old at the time, about my age maybe. 

A thriving classroom requires a two-way street, equal doses of clear exposition and a willingness to learn. Dad was increasingly impossible. It seemed to me that he wasn't paying close attention. Nothing I said would go in. I was a teacher, for pity's sake. I knew how to find a way into a student's brain. This email thing?--there was no way he couldn't learn. 

My frustration level went through the roof, made me ever-increasingly angry. "Hit return, his return." I tried not to show it, but that frustration piled up like a bank of snow I hadn't seen coming. I'd never begun to imagine that with the help of this little electronic wonder, Dad couldn't learn a ridiculously easy task: to send us emails. Sheesh! Piece of cake or what?

I don't remember ever getting an email from him. That cute little machine got dumped, I'm sure. I don't believe he ever used it.

A few years later, Dad died. On our last visit, I stayed at his hospital bedside for a couple of days while he walked very much alone down a well-trodden path. When he died, his doctor left us a card expressing his sympathy and listing four or five causes for Dad's having passed away; one of those causes was a surprise--"Alzheimer's." 

That was news.

Our TV is just a few years old, our old TV set got soaked in the flood. This new one is a smart TV, I'm told, but it insists on showing us a donut that circles and circles and circles some more. We're trying to understand what a "cache" is and how to live with it, but it ain't easy to learn when you're approaching 80 years.

Ain't at all easy, I know.   

Rigged?

 

The red card this man from the U.S. World Cup soccer team was given regularly carries with it a one-game suspension for whatever foul play triggered the sentence. This man, U.S. forward Folarin Balogun, was sentenced to sit out the next US game by the long established rules. Balogun had scored three goals and is acknowledged to be one of the mainstays of the American team. The U,S., without him, would clearly miss him and be playing at less than optimum strength.

Apparently, the President of these United States heard about the sentence (quite controversial, I'm told) and apparently decided to do something about it. He called the  FIFA president Gianni Infantino. 

Then something very unusual happened. Suddenly--and largely without notice or documentation--that suspension was lifted, and the U. S. team will operate at full strength when it faces Belgium today.

Highly controversial, I'm told, although there is a possibility that the President's call to the Commish had nothing to do with the Balogun suspension. The world--and me too!-- may simply have fallen to a classic logical fallacy, post hoc ergo propter hoc, "after the fact therefore because of the fact."

All of which might well be easy to believe if it weren't for the fact that the President of the United States is far too capable of the kind of shenanigans behind the highly unusual resolution to the problem. And, of course, the crooked story does nothing for the reputation of the U. S.  of A. As the Pres himself likes to say: "it was rigged."

The truth? Who knows? The smell, however, is altogether too familiar. 

And don't look for the stink to drift away by game time tonight. 

_______________________________

Oops. Forgot to hit "Publish" yesterday. The U. S. lost last night, ending what had become a wildly sweet story AND defusing the problem our President had struck up by butting into the business of the World Cup. Losing is far worse than it's cracked up to be, and last night's game was a case in point. Wasn't fun, watching. I'm sure it was even less fun there. No one wants to lose.

But if you look hard enough for a silver lining, there's at least one. Trump didn't triumph. Had Folarin Balogun played a great game, had he led USA team to a glorious victory, the win would not have gone down well with the rest of the world. It would be forever smudged by the President's deliberate and very public intervention. It would have stunk.

But he didn't, and the team looked like the team that should have lost, Belgium's superior strengths so vividly on display. And, thus, the President's leaning on the commissioner became, at worst, a footnote. And that's a blessing.

So while no one would choose to end the US's Cinderella story in this year's World Cup, at least we can say that Trump can't claim the trophy.

Independence Day iii

 

He found the captain sitting at his desk, a map before him, roast pork still steaming on the plate to his left. The door was open to the warmth of that July morning. Johannes knocked.

"Yes?" The captain turned in his swivel chair and looked over his shoulder. "What is it?"

"Captain, my people would like to sing. Would it--"

The captain looked up at him blankly.

"Psalms," Johannes told him. "We would like to sing the psalms."

"Psalms!" the man repeated, puzzled. He unbuttoned the top buttons of his coat. Johannes waited. "The psalms, you'd like to sing?" He wiped the corners of his mouth with a napkin. "But today is the Fourth of July. No one I know sings Psalms today--in church, yes. Maybe Christmas, you know, or Easter--but on the Fourth? You don't know other songs?" He leaned back, smiling as if the thought was absurdity.

Johannes shrugged. "We would like to sing the psalms."

The captain pushed aside his plate as if he was finished eating. "All of them?" he asked.

"Surely not. Just maybe some?" It felt to him like a good idea, like something they should do. "We would be happy like the rest. When we sing the Psalms, we can be happy. We can celebrate too."

The captain raised his fist to his lips and burped, not loud, then stood and put his hands in his pockets. He walked to the doorway, past Johannes, and surveyed his deck. Most of the crew and many of the emigrants, the passengers, were still eating. He stood a head taller than Johannes, his thick black hair falling nearly to his collar. "That would be good maybe--I don't know," he said, as if addressing them all. "If it would make you happy--all the Hollanders--then go ahead and sing the Psalms." The captain turned to look at him. "Some of them, eh?" And giggled. "Not all."

"It would make us happy," Johannes told him.

"Then go ahead and do it." He smiled as if the whole idea was an odd joke the two of them had shared. "It's not what Americans do, you know," he said. "This psalm-singing on the Fourth of July, but you say it will make you happy? Then it's a good thing--a good, good thing."

The shooting continued later until the ammunition was spent, but the emigrants, adding their own bit of celebration and their own vision of independence, raised their voices in Psalm 68, one of their favorites, Johannes as voorzanger.

Let God be praised with reverence deep;
He daily comes our lives to steep
In bounties freely given.

The captain strolled over, shaking his head, his hands clasped behind his back. The crew, nearly exhausted from all the celebration, listened and laughed, then smiled. Some Germans joined in, their own language harmonizing with the Dutch.

God cares for us, our God is He:
Who would not fear His majesty
In earth as well as heaven?
Our God upholds us in the strife;
to us He grants eternal life,
And saves from desolation.

They never felt exactly like they did--the psalms they sang, the notes moving along faster than normal. He had only to determine pitch, for his people moved independently at a pace too strong and joyous to be tempered by the voorzanger. The captain was right, of course. It's not what the Americans did, but until his people did it--sang the psalms on the deck of a ship going across the ocean--they hadn't either.

He heard the needy when they cry,
He saves their souls when death draws night,
This God is our salvation.

Beneath them, the ship moved almost silently beneath them through calmed seas once again, pressing ever closer to the Newfoundland banks.

Independence Day -- ii

 

In a moment Johannes swung himself out of the berth and stood, his knees full of stiffness. He held up the blanket and saw his wife sitting up, her elbow propped beneath her for support.

"How is it, Maria?" he asked.

She swept her tangled hair from her face with her left hand and drew it back behind her ears.

"Good," she said. "I feel better. And you?"

Johannes saw a slight smile, warm like a summer morn­ing, break from the unfamiliar creases that lined her face. But she was still beautiful. Two weeks on board had robbed her face of its youthful sheen, but her blue eyes, glazed by sickness during the storm, were now bright and clear. The baby, Geesje, turned slowly in her sleep, her mouth puckering as if she were already nursing.

He ran his fingers through his hair and smiled at his wife. "I will go up to see what is happening here."

The ocean was still, the sky broadly blue, and the deck as full of activity as it had been during the fury of the storm. But Johannes knew that it was not yesterday. A long box of firearms stood opened on the deck and multi-colored flags festooned the rigging. Crew and passengers alike were firing round after round, hooting and shrieking. One by one the passengers had left their berths and were joining the fest. Some of his friends were standing amidship, watching and laughing. He hesitated momentarily, then walked quickly over to join them.

"What is it?" he asked.

"It is a holiday! July 4. It is the Day of Independence for Americans." The men watched closely as the crew sang and drank and ate in unchecked celebration.

Johannes enjoyed the spectacle, but unlike the Germans who participated more readily, the Hollanders were reticent; they stood apart, laughing and joking with each other for the first time in days.

He ran back to the stairs and descended in a flurry, rushing to his berth, where he found the canvas open and Geesje awake and nursing, Maria lying comfortably on her side.

"It is the American Day of Independence, Maria. You should come above."

"What is that though?"

"'Independence'--the Americans celebrate every year today, July the Fourth. Something about their War of Independence."

Maria's smile changed into a hesitant laugh, as her brows hunched in confusion. "So they shoot off guns?"

Geesje was unwilling to give up her mother's breast, but she turned her blue eyes toward her father. He shrugged his shoulders. He didn't understand either, then he turned back toward the stairway.

*

By the time Johannes had returned to the deck, his Dutch friends were shooting and laughing and dancing like the rest. 

The morning passed quickly, full of the gleeful charm of a new and unexpected holiday, celebrated by adopted children only beginning to sense the ardor of a changing life. By noon everyone was on deck, even those who had suffered most during the storm, and all were served from a roasted pig the crew prepared specially for the holiday. The Hollanders watched the men hoist their tankards and sing lusty songs.

Maria approached her husband soon after their dinner. The men sat like birds in a circle, the women also together.

"Johannes," she said quietly over his shoulder, unwilling to break the spirited mood of the conversation. "Johannes, we thought we might like to sing to God a bit--the psalms. The women said."

He looked up at his wife. Her eyes were shining from a face flushed with pink. The rest of the Dutch women sat behind her. He paused only momentarily before moving from the circle and running toward the chartroom to look for the captain, a burly man with skin as weathered as the boards on his ship.

________________________ 

Tomorrow: Celebrating freedom in a new world--the end of the story.

Independence Day

 

50th anniversary of the Dutch immigrants to Sheboygan County, WI

[Because I wanted to understand my own heritage, I read all kinds of local history books when our little family moved to Iowa from Arizona. It was 1976, America's Bicentennial, and like many others I was following the Roots phenomenon, trying to locate the Kunte Kinte that was in me, a Dutch-American. The stories I found were a delight. I'd always wanted to write. I was embarking on a career of teaching in higher education. It was time to put the pen to paper, so I did. Thus begat a collection titled Sign of a Promise and Other Stories. "Independence" is one of those stories, now fifty years old.

_________________________ 

Johannes clung to the rail with his blistered hands, but relaxed his body as if he were in a saddle, absorbing the lurches of the ship in his knees as he stood, dumbfounded, staring out at the wind-driven schooner scudding across the waves. The winds had subsided as the storm passed, and the ship had responded, it creaking muffled in relief. But the ocean had continued its frantic throbbing, as if the entire drama had been staged in a theater of measurable proportions. Then, suddenly, its labor peaking, the sea had borne this ghastly three-masted schooner, torn and battered, its ragged sails flapping from what masts still stood on her decks.

He watched, silent. The others stood beside him on the deck, quiet, eyes focused on the ship that rolled, dipped, and rose with the swells of the ocean. Jagged wooden frames rose statue-like from the deck, and the base of one thick mast jutted skyward like a broken spear, its shaft snapped by the storm. The schooner danced like a specter, so close now that they could hear its shrieking timbers; then it jigged aimlessly into the purple horizon until it disappeared as suddenly as it had come, its past--its crew, cargo, even, perhaps its emigrants—as mysterious as its destiny.

He was awed. Two ships had been so close here. . .nowhere, yet he knew nothing of the other, nor would he ever. He couldn’t help remembering Zeeland and Middleburg, the town, the house and shop. It was all so close, so warm, he knew everyone; the very streets seemed lie family now.

“But the new country!” people had said. "America!" When he heard them, the streets, the village, the house and shop, had all become so close, so confining, so colorless.

And what of the people who had once stood on those decks, he thought, people just like them, watching and waiting, their eyes straining constantly toward the fickle horizons? He kept looking west, following the trail of the ghostly schooner, even though it already had passed into the mist. What he'd seen, what they'd all seen, was all he would ever know, he told himself again. No names, no faces, no trunks, no lives, no souls. Had the storm flung them all into this endless rolling sea? Had their lives been simply swallowed ? His own ship surged beneath him, floating like some trifling pendant on the breast of the sea.

His steps were cautious but weak as he left the deck. He moved slowly down the stairway, his left arm braced against the wall to steady himself. German emigrants moved carefully throughout the lower quarters, speaking very little. Children cried-they never seemed to stop; at least the passing of the storm would quell the rage of sickness among the passengers. For several days the hold had been littered with bodies and trunks, the floor coated with vomit, the halls cluttered with anything that couldn't be secured. In Johannes' mind, listless bodies sprawled there yet, for he had seen it all and would always remem­ber. No dominie could preach human depravity and dependence on God so clearly as he had seen it, had heard it, had smelled it, had even felt it. But the halls were clear tonight, and the storm had broken.

He stopped at his berth and felt the dampness in the cur­tains that he had specially hung about his quarters. He had tried hard to make it livable. The sailors had smiled when they saw him decorating, preparing the berth for Maria and his Geesje, but it was useless. His wife and daughter could appreciate nothing since their departure . First, there had been the nearly constant quarreling with the Germans, then the disregard and cynicism of the crew, and finally the storm. 

He lifted the canvas. Maria lay motionless in the berth, her mouth gaping, her face sallow and drawn. Geesje lay at her breast in a gray pallor, cramped and weak, thin and tiny for her nearly fifteen months. She would still take nothing but her mother's milk. Johannes backed into the berth, swung his aching legs into the bed, leaned back slowly, and pulled the cover over the opening behind him. The berth was dark and damp. He reached over, almost as an afterthought, and felt for his daughter's pulse, then his wife's. He found them both alive, crossed his arms over his chest and tried to relax. From within the hold the ocean felt smooth finally, as he said a silent prayer.

*

The sun rose above a calm ocean. His family had slept well, their strength returning in a tide of repose, when they were awakened by shouts from the deck and a cannonade that boomed like thunder through the sleeping quarters. It was early, very early.

Johannes turned on his side, drew back the canvas, and looked down the narrow hallway. All down the line heads popped out in similar fashion, searching for some explanation of the thunderous noise.

"What is it?" someone gasped. More curious questions, a waking babble of voices. 

_______________________ 

Tomorrow: A celebration.