Do Process

“Why are you downcast, O my soul?

Why so disturbed within me?

Put your hope in God,

for I will yet praise him, my Savior and my God.”

One night late, years ago, a preacher friend of mine, over a few beers, began talking about what he went through when his wife left him, years before, an event that’s not supposed to happen, and certainly not supposed to happen to preachers. He didn’t blame her; he knew he’d had a hand in what happened himself, preacher or not.

At that late hour, with a bit of lubrication, I stayed with him when it appeared he wanted to talk. I sound as if I was using him, and maybe I was in a way; but what interested me was his use of a phrase I’d heard before: “It took me a long time to process that,” he kept saying. “I didn’t have the tools at first to process what had happened.”

I’ll admit I thought it was psychobabble, a cliché, an entirely strange word drawn from what we do to legislation or cheese or army recruits. But the emotion he carried as he told me the story made me wonder what that pat expression meant in the context of his adultery. I wanted process unpacked.

By “process,” he said, he meant becoming able to look at the wound and not cry or rage. Process, he said, meant stepping back from the immediacy of the emotions, a step that wasn’t at all easy--and it took time, he said. And it took work. Like forgiveness.

It seems to me that in verse five of Psalm 42, David (if he’s the writer) appears to have processed something. The unforgettable opening verses of the psalm emerge from the core of his grief; but verse five steps back from the sadness that threatens him and he begins talking to himself. “For heaven’s sake,” he says, “what’s with me anyway? Why am I so incredibly depressed?”

Then he pulls out an old bromide and tells himself what he’d obviously known for years and even sung in a whole psalter of his own ballads, something the curtains of his despair had seemingly covered: “Put your hope in God,” he tells himself, processing his sadness.

And then the resolution. Picture him, gritting his teeth, almost a snarl, pulling intent and dedication out of truth he knew, inside out: “. . .for I will yet praise him, my Savior and my God.”

I may be wrong. Maybe there’s a gap in this psalm. Maybe, like the preacher without a wife, it took him some time to process the emptiness in his life.

Wouldn’t it be wonderful to consult some standard King David biography and discover that this song was finished months after it was started, that he’s simply telling the story?

But we don’t know that, and no one ever will. All we’re left with the psalm. And in this verse—or so it seems to me—David seems to bottom out, to take hold of the promises of God he’s relied on throughout his life, at a myriad of other moments when he stood in dire need of being rescued. “Put your hope in God,” he says, in command form.

In this verse, the story the poem tells is at its climax because the writer has stepped back to tell himself, to shout, in fact, the truth into his own ears, and now ours. “I will yet praise him, my Savior and my God” [emphasis mine, but I think his too].

Sounds like a preacher friend of mine, talking to me over a beer years ago.

Sounds like Job. Sounds like a lot of us.