“But at your rebuke
the waters fled,
at the sound of your thunder they took to flight;
they flowed
over the mountains,
they went down into the valleys,
to the place you assigned
for them.” Psalm 104:7
To record
all of this, there would have to be a helicopter running for centuries on solar
power, I suppose. It could be positioned almost anywhere; but I would choose
some place on the eastern edge of the Rockies, where I’d position that
whirlybird a mile high or more and start the camera rolling in time-lapse mode.
One can
only imagine. An endless sea shakes out waves rhythmically, when suddenly, unperceptively
at first, a mountain begins to emerge, jagged, triangular. Years pass, and that
single peak is surrounded by a host of younger siblings, all of them rising
until that sea forms waterways that rush with tidal-like power.
We’re a
long way from the Plains, from the flat land, but if that camera pans east, it
catches the way the water bellies down over a region where there are no
silhouettes—or none so startling as the peaks beneath us, now hugely revealed.
We don’t
have that huge of a camera, so the helicopter sallies off in that direction,
where the water levels out and recedes from land, then falls into crevices,
cracks, and fissures, and ten thousand lakes in a place someone will call, an
age or three from now, Minnesota. A vast network—a spider web—of rivers push
the land into valleys and settle in, as permanently as anything can in nature.
It’s
time-lapse photography, but the phenomenon is stupefying. All that water
settles into routine, that mass of chaos into order.
That’s
what the psalmist sees. There, to the east, the Mississippi widens, while
beneath us the Missouri, the Mud, spatters on south. Everywhere from this height,
myriad meandering tributaries have formed, lifelines on your hands. And it all
works. Land has been called into being from a vast sea, and that immense space
is veined with life, with rivers.
I know
scientists who would laugh at the film we just shot because the whole process didn’t
happen in the manner we’ve just now caught on tape. There were vast seas all
right—and there were frozen, vast seas. There was an ice age or two, and
immense bulldozing glaciers. And there was mystery.
I don’t
think the poet has it right, scientifically. The psalmist knew very little geology, had no clue about glaciers or aquifers. But when he sat in his
helicopter and recorded what he saw, the images arranged themselves in such a
way as to form the face of the Creator right before his eyes. That much he caught dead-on.
When the first Dutch folks wandered up to northwest Iowa, they determined what would be their land by setting in the requisite stakes. But once it was all official, they brought their families, one of the first things they did was cut back the tall prairie grass to the rivers because the only way they'd know where they were in that sea of grass was by way the rivers.
Because the heavens declare the
glory of God, all nations hear the sermons. Psalm 104 is how the psalmist thinks
about the preaching God does in land and sea all around.
And I, for one, am blessed by what
he sees of God’s own world around him, and thankful for his gift, in part
because I know what’s in his heart and soul—because I've seen rivers too, and I've listened too to what he hears and sees of the Creator.
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